Our August Artist of the month goes to paper illustrator Nicola Dobrowolski whose vibrant, dimensional constructions develop out of her love of story-telling.
Nicola Dobrowolski
“I’ve a “2.5 dimensional” strategy. I really like paper in its easiest two dimensional kind, however slicing into it and revealing one thing behind is so thrilling.”
The place do you make your paper artwork?
I’ve a studio within the attic which is gentle and ethereal with a view of tree tops and fields, its bliss! I’m so fortunate to have this. When it’s tidy it feels big, however it doesn’t take lengthy for a venture to take over!
How lengthy have you ever been working with paper?
I’ve been working solely with paper since 2015, however my love for paper began many years earlier than this!
How would you describe your strategy to paper artwork?
I might say I’ve a “2.5 dimensional” strategy. I really like paper in its easiest two dimensional kind, however slicing into it and revealing one thing behind is so thrilling. Including a curve to this or a slight bend, or standing it so it helps itself but nonetheless seems to be a easy piece of paper is magic to my mind even in any case this time. Not too long ago I used to be requested to enterprise into 3D for a industrial venture, and though it took a little bit of pondering I fortunately accustomed myself to it. I simply love paper, I’ve an affinity with it.
The place do you discover inspiration?
In a powerful narrative. I’ve all the time liked the saying by Lorinda Mamo, a designer. She places it completely “Each nice design begins with an excellent higher story.” Having educated as a theatre designer, I’m all the time starting my work with a story, a play, a narrative. That is the transient that I work to. Creating one thing for the sake of it’s not possible for me, it simply feels pointless. However having a narrative as the inspiration makes something attainable.
Describe your work to us in three phrases:
Multilayered, detailed, storytelling
What are your favourite papers to work with?
G.F Smith, all day on daily basis. They’re the most effective I do know and I like to recommend them to everybody!
What instrument might you not dwell with out?
Swann Morton scalpel, 10A Blades, Jakar – clear A1 reducing matt, chrome steel ruler, UHU Glue! … that’s just about every part!
What’s the smartest thing about working with paper as a medium?
It so fast and clear to work with. I really like a crisp sharp edge and paper presents that with one easy slice. And it’s accessible and relatable to everybody. It might tackle so many kinds and its so tactile… there’s no different medium prefer it for me. I adore it!
Who’re your favourite paper artists?
Eiko Ojala – though he isn’t a bodily paper artist. Its digital paper. So intelligent. Nevertheless it’s his ideas that I really feel a powerful connection to.
Helen Musselwhite – I’ve liked her work for a few years. I really like the symmetry of her a few of her nature artworks work – it’s one thing that I really like however might by no means do, my mind gained’t permit it!
Samantha Quinn – I really like Sammie’s daring use of color and geometric patterns. Her type is one thing that I vastly recognize however might by no means do.
So, I really like all paper artwork, however particularly recognize issues that I couldn’t envisage creating.
What are you engaged on in the mean time?
Sadly I can’t say, however its the most important and most poignant venture I’ve ever performed. All will likely be printed in September. My earlier venture was a vibrant and fruity entrance cowl and journal particulars for The Wine Society’s Autumn version fo 1874. They had been fabulous to work with and I’m thrilled with the outcome. Didn’t get to attempt the wine although!
