Combined Media Upcycled Lizard Artwork


Combined Media Upcycled Lizard Artwork

When the theme for this month’s Artwork Component design problem was introduced, I couldn’t have been extra delighted.  It’s lizards!  Lizards!  I’ve been hoping for a lizard theme, or perhaps a broader reptiles theme, since I began collaborating within the challenges.  Sure, I do know I don’t have to attend for a month-to-month problem theme to create lizard-themed artwork.  Let’s simply faux I do, okay?

Lizards are certainly one of my totem animals and have been with me since my earliest childhood reminiscences.  Two of my favourite varieties of lizards are native to the place I grew up within the desert southwest:  horned lizards (which some folks name horned toads) and Gila monsters (that are the one venomous lizards within the US).  Did you discover my emblem is a horned lizard?  You possibly can learn somewhat about its origin story on my About web page.

Each initiatives for this theme are upcycled glass salsa jars lined in air dry paperclay.  I’m nonetheless comparatively new to this medium, having accomplished a grand whole of eight initiatives previous to this month’s theme:  six lined jars and two picket plaques.  What appears to work greatest for the jars is to work in phases.  Stage one is so as to add a base layer of the clay across the jar, texture it, and let it treatment.  Stage two is so as to add bas aid or different sculptural parts.  This appears to maintain the cracking to a minimal because the clay cures.

Or a minimum of, it has prior to now.  I don’t know what was totally different this time from the earlier initiatives, however the base layer of clay on the primary jar began cracking virtually as quickly as I used to be accomplished including the feel.  And it saved cracking for days because it cured.  Not simply hairline cracks both, however vast chasms.  If I hadn’t been aiming for a tough natural texture on the background, I might need been upset.  Because it was, I used to be simply mildly pissed off as a result of patching cracks and ready for extra clay to treatment saved me from shifting to the subsequent stage of the venture.

Glass jar covered in paperclay with cracks next to tools and supplies for patching.
Have a look at all of the cracks! They go all the best way round.  Sigh.  From what I’ve learn, paperclay is extra more likely to crack if it’s too moist.  Or if it’s too thick.  Or if it dries too shortly. I didn’t add water to this clay, apart from to dampen my fingers and instruments for smoothing seams.  And it’s the very same thickness as each different jar I’ve lined.  No clue what went flawed, however right here I’m all set as much as patch the cracks.

I knew my budding paperclay sculpting and portray expertise had been less than the problem of rendering a horned lizard or Gila monster in any form of convincing element.  So I deliberate to sculpt a extra skink or gecko sort lizard.  I actually meant to sculpt skinny whip-like lizards. Sincere, I did.  However my fingers saved making stout lizards as an alternative.  A part of that could be on account of a scarcity of dexterity and talent with clays which might be comparatively new to me.  However I think the true drive behind these – let’s name them sturdy – specimens was the affect of the lizard spirit itself.  What can I say?  I determine extra with full-bodied lizards.

Workspace with paperclay, sculpting tools, and lizard sculpture in progress.
I’m utilizing glass (or perhaps they’re resin) eyes for this sculpture as a result of, properly, I’ve a bag of them. And portray eyeball particulars is difficult at this scale. Or actually, any scale. There’s rather a lot occurring in a watch.

The lizard I sculpted for the primary jar was virtually 2 inches of stable clay on the thickest a part of its physique.  That’s the thickest piece I’ve sculpted from paperclay to this point and I didn’t know what would occur because it cured.  I do know you should utilize armatures to maintain the clay layers skinny.  However like I stated, I didn’t got down to make such a sturdy critter.  Anyway, to be on the protected facet, I tented the jar with a plastic bag to sluggish the drying in hopes of avoiding extra cracks.  And wow did it dry slowly.  I waited two weeks however ultimately, there have been no cracks within the physique and solely slight fissures the place I hadn’t accomplished an excellent job becoming a member of the legs to the physique.

Glass jar covered in paperclay resting on its side with lizard sculpture on top
When you look carefully, you’ll see the high quality cracks the place the legs ought to be a part of the physique.  They had been straightforward to patch.   When you look much more carefully, you’ll discover 4 dainty toes per foot.  Don’t precise lizards have 5 toes per foot, you ask?  Sure, sure they do.  However 4 was all I may handle with the paperclay at this scale.  It’s a uncommon four-toed lizard, okay?

After ready a lot of the month for clay to dry, I nonetheless wasn’t certain what shade to color the lizard.  As usually occurs when I’m ambivalent about my shade decisions, I defaulted to blues.  Had I identified when putting the inexperienced glass eyes within the clay that the lizard was going to be blue-green, I might need chosen amber eyes for distinction.  Oh properly.  

Upcycled glass jar with paperclay sculpted lizard on rocky background.
One benefit of the best way the bottom layer cracked up whereas drying is that the patches solely enhanced the natural texture.  They give the impression of being intentional now.  That’s proper, I completely meant to try this.

Whereas I used to be ready for my huge boi lizard to treatment, I added a background layer of clay to a second jar.  For causes that I don’t know, that one dried with just some cracks.  It was the identical clay model, from the identical package deal, and utilized on the similar thickness to the identical form of jar.  The one distinction was that I textured it with crumbled foil and cheesecloth whereas the primary jar was solely textured with cheesecloth.  Maybe it shall stay one of many nice mysteries of the universe.  

Glass jar covered in paperclay, with crumpled foil and cheesecloth for texturing.
For this background, I used to be aiming for a stucco texture utilizing crumpled aluminum foil and wad of cheesecloth.  I believe it’s an inexpensive approximation however the proof will likely be after the portray.

By the point the second jar was prepared for lizards, I used to be almost out of time.  And endurance.  It was 5 days till the top of the month, which meant not sufficient time to attend for extra paperclay to dry. Not even skinny lizards, had I been able to sculpting them.  So I believed I’d attempt utilizing a 2-part epoxy clay to sculpt the lizards, figuring out it cures arduous sufficient to color inside a number of hours.  I’ve solely used epoxy clay for sculpting as soon as earlier than, over a wire armature for a miniature bottle tree.  I don’t know a lot about it besides it begins curing as quickly as you begin mixing it and received’t be very pliable after in regards to the first hour.  So, no stress.

Jar covered with paperclay and an epoxy clay lizard sculpt in progress, with tools in background.
One other sturdy lizard specimen within the works.  Why is it lacking a hind leg?  As a result of I barely misjudged how a lot clay to combine.  Or maybe as a result of I made the opposite three legs too thick.   The clay was adhering/curing quick and I wasn’t in a position to pull the opposite legs off to begin over.  That little blob of clay within the foreground was what I had leftover and it wasn’t fairly sufficient for yet one more leg.

As soon as once more, my try at sculpting whip-thin lizards didn’t go in line with plan.  In my protection, I used to be feeling somewhat confused in regards to the workable time with the epoxy clay and didn’t spend as a lot time as I ought to have on physique and limb proportions.  The excellent news is, regardless that the clay was lower than recent (I first opened the jars over a yr in the past for that tree venture), it did adhere to the paperclay base.  And, bonus, I used to be in a position to sculpt 5 toes per foot this time.   They’re wonky, however they’re all current and accounted for.  The even higher information was, the epoxy clay was absolutely cured and prepared for paint the subsequent day.

Red to yellow gradient lizard on stucco textured glass jar.
This facet of the jar exhibits the smallest lizard I sculpted from the epoxy clay.   With all 4 legs.  In spicy purple, orange, and yellow.  And take a look at that snazzy stucco texture background.

Lizards are available in a shocking number of colours and patterns however I’m not an knowledgeable painter so I didn’t intention to mimic any precise lizard’s scales.  Additional, as my lizards’ our bodies weren’t modeled after any specific species, I didn’t really feel certain by the colour patterns of precise lizards when portray them.  As a substitute, I made a decision to go along with an “all the colours” strategy.

Glass jar covered in stucco textured paperclay with rainbow lizard sculpted on one side.
That is the alternative facet of the jar with the epoxy clay lizards, displaying the marginally bigger lizard all dressed up in shades of violet, blue, and inexperienced.  As you flip the jar, the 2 lizards’ colours kind a rainbow.  

Many because of the Artwork Components design staff for selecting lizards for the theme this month.  Whereas the paperclay examined my endurance but once more, I’m happy with the outcomes, particularly the textured backgrounds.   And I believe I must attempt combining paperclay and epoxy clay for future initiatives.  Due to you for stopping by my weblog as we speak.  Please depart a remark if the spirit strikes you.

Stucco textured jar with sculpted lizards in rainbow hues, tail ends side.
Till subsequent time.



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